FERRYBRIDGE GLASSWORKS
SOME FACTS AND THEORIES
by TERRY SPENCER BA (Hons), Ph D.
Revised and re-written, January 1998 from the
original version of May, 1991
Dedicated to Peter Bramley (1931-1988)
"Who through our conversations renewed my dormant interest in the subject"
INTRODUCTION
That there was a glassworks at Ferrybridge is indisputable for it was
both documented and photographed. That it was situated on the north bank
of the River Aire
"..where the Parish of Brotherton merges into the Parish of
Ferrybridge" (1)
is confirmed by map reference. The doubt lies not in the existence or
location of the furnace but with its origin.
The design and location of the furnace suggest that the glassworks may
have existed on the site as early as the last quarter of the seventeenth
century for there is documentary reference to a Ferrybridge works from
that period although such evidence is both obscure and confusing and
orthodox opinion is that the glassworks were established at Ferrybridge
circa 1840.
The purpose of this study is to ascertain the facts concerning the
origin and development of the Ferrybridge Glassworks by tracing the
outline of the historical development of the glass industry in England
and its implications for assuming the establishment of an ‘early day’
furnace at Ferrybridge.
Consideration is given to the nature and context of the documentary
sources which appear to support such an assumption and the study
concludes with an examination of documentation from nineteenth and
twentieth century sources to prove or disprove the hypothesis.
AN EARLY DAY FURNACE? LOCATION AND DESIGN
Photographs reveal two cone glass furnaces at Ferrybridge of a type
commonly constructed in Britain over a period of a century and a half
from the mid point of the seventeenth century. The characteristic
British design comprised a brick-built cone, which served the dual
function of glass furnace and integral workshop. The cones were
generally some 50-60 feet in height, tapering towards the top which was
open to allow an upward draught to fan the furnace and carry off the
smoke. The base of the cone was about 50 feet in diameter (2)
Throughout the period several furnaces were built on sites within the
West Riding of Yorkshire. Cones are known to have existed at Silkstone,
Bolderstone and Haughton in the late seventeenth century and others were
constructed at Gawber (1720), Rothwell Haigh (1726), Leeds (1738),
Catcliffe (1740), Wisby Moor and Masbro (1751), York (1784) and Hunslet
(1804). (3)
Cone glass furnaces were always erected at rural locations where the
arcadian surroundings provided a plentiful supply of wood to fuel the
furnace while ensuring a degree of isolation, thus ensuring the
preservation of the ‘mysteries’ which formed the basis of control of the
craft and ensured the socio-economic status of the artisan glassmakers.
The latter element was naturally of great importance to the artisan
craftsmen and although suffering gradual diminishment following the
advent of the Industrial Revolution was nevertheless an important
element in the development of the glass industry throughout the
nineteenth century. Indeed, artisan control of the craft was to prevail
until the adoption of the modern automatic machine early in the
twentieth century rendered the manual production process obsolete.
The underlying basis of the early industrial development of
glassmaking in England had its origin in the persecution of the
Huguenots in France during the late sixteenth and early seventeenth
century. As a result of this persecution the glassmakers of Flanders and
Lorraine sought refuge in England.(4)
The Protestant refugees first plied their trade in the Wealden area of
Southern England. By 1615 the prodigious use of timber for iron and
glass furnaces had caused the depletion of the surrounding woodland,
endangering national defence by denuding the shipyards of their
essential natural resource. As a result a proclamation was issued
ordering the prohibition of wood as a furnace fuel. (5) As the
prohibition had only regional application families of glassmakers
migrated to the West Midlands where a new centre of the industry was
established in the Stourbridge district. (6) From this base various
glassmakers eventually commenced on a further series of internal
migrations to other regions of England.(7) Thus, by the mid seventeenth
century refugee families previously associated with Stourbridge, such as
Plimy, de Henzy (Henzall), Fenney, Tyzack and Tottery, were active in
parts of South and West Yorkshire. (8)
The expansion of the English glass industry was paralleled by the rise
of capitalist enterprise commencing with the monopolistic control of the
trade by noblemen such as Lord Mansell and thereafter by the financial
participation of the minor nobility and gentry.(9)
Following the French example the system applied in England from the
mid seventeenth century was for a wealthy landowner to provide a
suitable location on his estate, finance the construction of the cone
furnace and outbuildings and also the operational capital and materials
used in production. Such materials as sand and lime, together with straw
and osier wands used for packing the finished wares were often obtained
from within the confines of the estate whilst the capitalist
entrepreneur also assumed responsibility for the sale and despatch of
the goods. (10) Frequently the artisan glassmaker paid either no rent or
at worst a token sum under the conditions of a short-term agreement,
usually fixed for a period of between three and seven years duration.
Thus, in terms of capital requirement and restrictive movement such
contacts imposed minimal constraint upon the artisan whose principal
contribution to the partnership was his skill. (11) One need not look
askance at the formation of partnerships so favourable to the glassmaker
for the skills he possessed had been jealously guarded over many
generations of familial association with the craft, thus ensuring a high
degree of craft exclusivity which placed the skill of the glassmaker at
a premium. (12) The extent to which such exclusivity served to engender
social status is clearly seen by reference to earlier generations of the
fraternity. In Venice, glassmakers were ranked with all but the very
highest aristocracy, while in France they were referred to as
‘gentlehommes verriers’ and their social standing confirmed by their
right to wear swords. (13) The emergence of the contract system allied
to the rise of capitalism resulted in some diminution of social status
by the nineteenth century but was nevertheless sufficiently favourable
to ensure the respect of the English gentry for the itinerant artisans
of the pre-industrial era.(14)
In the context of the newly sprung combination of capital and labour
and its possible application to the founding of a glassworks at
Ferrybridge one must consider the factors in relation to the location of
Brotherton Marsh end.
The most obvious connection is the Ramsdens of nearby Byram Hall, a
wealthy family who owned land in the vicinity and further afield. (15)
Quite apart from capital, the Ramsden estate at Byram could meet all the
demands of materials and space required for the establishment of a rural
glassworks. (16) The siting of a furnace in the semi-isolation of the
Marsh end and yet adjacent to the river ensured a high degree of privacy
while enabling full utilisation of the established waterborne trade in
an era when poor conditions on overland routes (even as important as the
adjacent Great Northern Road) made the despatch of goods by road twenty
times more expensive than carriage by water.(17)
Given the existent conditions one may reasonably envisage a situation
in which a group of artisan glassmakers, perhaps en route from the West
Midlands to the North of England, were persuaded to deviate from their
proposed course and practise their craft at Ferrybridge under the
protection and patronage of the local landowner, resulting in the
establishment of the glasworks there in the late seventeenth century.
EARLY DAY DOCUMENTATION
In 1696, John Houghton stated that there were three glasshouses in
existence in Yorkshire; "…two near Silkstone and one near
Ferrybridge." (18)
It has become commonly accepted that the glasshouse "near Ferrybridge"
was once standing at Houghton (later Glasshoughton) and that the
reference to Ferrybridge was for ease of geographical identity, the
latter village being an important posting stage on the London-Edinburgh
route and therefore an ideal location for business communication.(19)
The prefix ‘glass’ is an undoubted indication of the manufacture of that
material at Houghton, a fact confirmed by other documentary sources
dating from the late seventeenth century.(20) The absence of official
records, business papers or even incidental references in newspapers and
correspondence concerning the Ferrybridge works has served to reinforce
the supposition that the glasshouse to which John Houghton referred was
not actually located at Ferrybridge. Nevertheless, an element of doubt
has always remained. Francis Buckley, an eminent historian of the early
glass industry, whilst acknowledging the existence of the Glasshoughton
furnace, implies that it was additional to that situated at
Ferrybridge.(21) Likewise, Hodkin, who states specifically that a
glasshouse existed at Ferrybridge in 1696, with another one at nearby
Glasshoughton.(22) The issue is further confused by Butterworth who
having traced the historical development of the Glasshoughton site,
concludes his account by ascribing facts concerning its utilisation at a
much later date which are undoubtedly applicable to the Ferrybridge
works.(23) A further area of confusion concerns the very site of the
Ferrybridge glassworks. Researchers unfamiliar with the neighbourhood
have at times referred to Brotherton Glassworks, regarding such as being
additional to those at Ferrybridge.(24)
Clearly then, the documentary references to a glassworks at
Ferrybridge in the pre-industrial era while providing an indication of
the possible existence of an ‘early-day’ glass furnace are of a confused
and inconclusive nature. However, if the putative date of circa 1840 is
accepted for the establishment of a glassworks at Ferrybridge several
questions arise. Why, for instance, did the new works employ an outdated
architectural design? It is not without significance that by 1840 almost
all the cone glass furnaces (with the exception of Catcliffe) had long
ceased production. By that date the development of the Yorkshire
coalfield, allied to improvements in transport, had resulted in the
relocation of the County’s glass industry. The early decades of the
nineteenth century had seen the establishment of glassworks in the
emergent urban areas close to the coalfield where the development of
road and rail networks was augmented by a plentiful supply of cheap
labour and growing markets based on urban consumerism.(25) An important
consequence of the industrial relocation was a change in the
architectural design of glasshouses. Furnaces in urban locations were
housed in rectangular buildings which had frequently been constructed to
serve some previous industrial purpose and had for reasons of economic
adaptability replaced the purpose-built cone furnaces.(26) The draught
for the furnaces was provided by a chimney which enabled higher
temperatures to be obtained and therefore reduced the time required to
melt the batch as well as permitting larger quantities of metal to be
prepared in the large rectangular ‘day’ tanks which had replaced the
crucible ‘pots’ associated with the older technology of the cone
furnace.(27) The economic advantage afforded by the new system is
obvious and indicates the folly of constructing cone furnaces at such a
late stage in the development of the Yorkshire glass container industry.
The introduction of the regenerative (i.e. continuously charged) tank
furnaces from the 1860’s widened the economic disparity for unlike the
cone furnaces the urban glassworks were easily adapted to the new
technology.(28) Consequently, before the middle of the nineteenth
century the cone furnace, in terms of location and general economic
viabilty had become semi-obsolete in the Yorkshire district. The fact is
underlined by reference to the number of operational glassworks in the
County which rose from seven in 1784 to eighteen by 1833, no new cone
furnaces (other than Ferrybridge) being built after the turn of the
century.(29) While it is true that the cone furnaces at Catcliffe and
Ferrybridge retained their productive function alongside the urban
glassworks this was largely due to their proximity to the coalfield and
good lines of communication. (30) However, both sites were minor centres
of production by mid century and even Hunslet, the location for the
first urban glassworks and the centre of production of flint glassware,
had been replaced by Castleford as the seat of the glass container
industry well before 1850. (31) Admittedly, cone furnaces continued to
function in the North East of England district of the trade during the
first half of the nineteenth century and a second cone furnace was
constructed on the Ferrybridge site in 1873. In the case of the former
area the construction of cone furnaces was undertaken in connection with
the production of the cheaper black bottle trade which had been largely
supercharge within the Yorkshire districts by the pale metal which was
to distinguish the County trade for several decades. The erection of the
second cone at Ferrybridge was a singular exception to the general
trend, arising from the exigencies of the trade boom of the early
1870’s. As the site of the Ferrybridge works was visible from the seat
of the Ramsdens’ at Byram Hall it is possible that the decision to build
a cone furnace was taken from aesthetic considerations concerning the
nature and location of the existing site although it is equally as
likely that the construction of a cone furnace was both quicker and
cheaper then the establishment of a more modern plant. Furthermore, in
an age untroubled by considerations of visual amenity or environmental
pollution in which economic matters were generally predominant, it is
unlikely that aesthetic considerations would override the profit motive.
Whatever the case, it is clear that the adoption of the existent design
was a tacit acknowledgement of the place of the Ferrybridge works within
the context of an earlier phase of industrialisation for however well
served by the nearby waterway and road systems the Ferrybridge works
were at a disadvantage when compared to the more update and centralised
factories at Breffit, Winterbottom, Lumb and their contemporaries.
That such a peripheral and outdated site failed to commend itself to
potential manufacturers is evident from the spasmodic phases of
productivity undertaken at the Ferrybridge works. During the period
1840-83 there were five tenants, each of whom surrendered the leasehold,
finding the site to be economically unviable in the long term.
Consideration of local determinants therefore suggests that the
Ferrybridge Glassworks was either a pre-industrial (i.e. earlier than
the nineteenth century) establishment or that if of later date, the
design and location was based on outdated technology and therefore
represent a serious economic miscalculation.
‘EARLY DAY GLASSHOUSE OR LATTER DAY FOLLY?
WHAT DO ADDITIONAL SOURCES SUGGEST TO BE THE CASE?
Early maps such as those of Jeffrey (1772), Thorp (1819) and Greenwood
(1834), reveal no indication of a glass furnace at Ferrybridge. An
undated map, apparently of eighteenth century origin, belonging to the
Aire & Calder Navigation Co., entitled ‘The Brotherton Cut’, and most
probably dating from the surveys undertaken by Palmer (1736) or Smeaton
(1772) on behalf of the Company, does contain a rather vague indication
of two apparently conical objects standing on the appropriate site.(32)
However, as it is a matter of record that the second glass cone at
Ferrybridge was not built until the following century it is unlikely
that the objects depicted on the map are glass cones. Indeed, a further
map from the Navigation Company’s archives, dated 1827, while revealing
Bridge House and an adjacent rectangular building (probably
outbuildings) shows no indication of a glass cone on the site. In
addition, the list of all English glasshouses paying tax during the
financial year 1832-33, which was compiled by the Commission of Enquiry
into the Glass Tax (1833), contains no reference to the Ferrybridge
works.(33) Neither is there any reference in other Treasury Papers in
the Public Records Office.
The crucial factor in the theory of ‘aristocratic’ patronage as the
basis for the possible establishment of an ‘early day’ glasshouse at
Ferrybridge concerns the Ramsden ownership of the site. The respected
local historian, John Goodchild, has mortgage documents dated 1745,
concerning the Swan Inn (Bridge House), which he considers may well
indicate the date when the building was first erected. At the time the
site was occupied by the Askell family and owned by John Lowe of
Brotherton.(34)
The evidence would therefore appear to invalidate the theory of a long
established glasshouse on the Ferrybridge site and suggest a nineteenth
century origin. The generally accepted date of about 1840 therefore
seems most probable and substantiates the opinion of John Goodchild that
it is unlikely that kilns were run adjacent to a busy, prosperous
coaching inn, even if downwind of it, at an earlier date.(35)
A NINETEENTH CENTURY GLASSWORKS?
The Swan Inn stood adjacent to a plot of land 1 acre, 3 roods, 17
perches in extent, which was allotted to the owner of the inn, John
Lowe, at the time of the inclosure of Brotherton Marsh in 1793. (36) The
land contained a dwelling house, stables and sundry outbuildings which
were utilised in conjunction with the business of the Swan as one of
three large coaching inn within the village of Ferrybridge.(37)
Following the demise of John Lowe in 1808, the inn and the
accompanying land and property passed to his son, John Lowe Junior (38)
and subsequently via his descendants, into the hands of Samuel Thwaites
(39) Then, in July 1817, the entire holding passed into the ownership of
the Ramsdens of Byram Hall.(39)
The heyday of the Swan Inn had commenced with the introduction of the
Royal Mail Service in 1785 but the coaching trade was already showing
signs of decline by the time of the introduction of the steam locomotive
and the first wave of railway construction in the 1830’s. By 1840 the
inn had ceased to function as the expanding rail network ensured the
terminal decline of the coaching era. It was at this period that the
first glass furnace was built on the site adjacent to the former
hostelry.(41) In this connection it is of passing interest to not the
doubt expressed by a former local historian concerning the location of
the glasshouse on the Swan site. In an interesting article touching on
the origin of the works, the late Harry Battye drew on the fact that
while Bradley and Harper in their retrospective accounts of the coaching
era noted the derelict state of the former inn by 1889, neither made any
reference to the existence of a glass furnace on the site.(42) Battye
(apparently under the erroneous impression that the glassworks were
housed in the premises of the former inn) therefore concluded that
"It seems most unlikely that a building in rapid decay in the year
1889 could have been converted into a works."(43)
What were the factors which influenced the apparent establishment of
the glassworks at Ferrybridge towards the middle of the nineteenth
century?
One important factor was growth of urban consumerism which had
increased the demand for containers for a variety of foodstuffs and
liquids. It is interesting to note that arising from the response to
public demand and the ensuing business competition this engendered,
manufacturers began to give higher regard to the presentation of their
wares. As a result, glass containers were produced in a variety of
shapes and colours, a fact confirmed by the proliferation of coloured
metal found by the present writer when the Ferrybridge Glassworks site
was disturbed as the result of civil engineering in the summer of 1990.
(44) It was also in response to the desire to present consumables in a n
attractive manner with the emphasis on the wholesomeness and quantity of
the wares, that the Yorkshire glassmakers developed the pale metal which
was to become the staple of the County trade from this time.
Other developments such as the construction of the Aire & Calder Canal
between 1820-1826 and the advent of the local railway services from the
mid 1840s’ together with the extension of the coal measures, were
influential considerations. A most important economic factor was the
repeal in 1845 of the excise duty on glassware which had constrained
glass manufacture for more than a century and a half. The removal of the
imposition prompted an increase in the number of local glassworks and in
so doing intensified the degree of business competition within the
trade. The repeal of the duty was of dubious benefit in the case of the
Ferrybridge for while it may have been a favourable influence in the
establishment of the business, its inability to compete due to
inequalities arising from the economic misjudgements in the design and
location of the works, proved to be a long-term detriment to the
business.
A further indication of the establishment of the glasshouse at
Ferrybridge around 1840, is provided by Alfred Greenwood, the long
serving Central Secretary of the Yorkshire Glass Bottle Makers’ Society.
Writing in 1893, Greenwood stated that he possessed information
concerning the history of the works covering the previous half century
(45) and confirmed (via another source) the existence of the Ferrybridge
works prior to 1847.(46)
More specifically, a memorial of 28th August, 1840, reveals that the
lease of the Ferrybridge site was obtained by James Kelsall,a
colourmaker of Burslam, Staffordshire , and William Stanway, a potter of
undisclosed location within Yorkshire.(47) The deed includes the lease
of all the buildings formerly comprising the Swan Inn, together with the
adjacent parcel of land but makes no reference to the existence of a
glass furnace on the said plot. The deed of lease therefore most
probably indicates the date of transition from inn to factory site.
The occupation of the leases', together with the Staffordshire
connection, suggests the site was also used for the manufacture of
pottery, a fact confirmed to some extent by the Census Returns of 1841
which name Henry Kelsall, aged 17, and William Stanway, aged 21, as
pottery and glassmakers. Two other glassmakers are recorded in
connection with the Ferrybridge site at that date; William Taylor and
George Jackson, both being 20 years of age. The dual use of the site was
well illustrated in 1990 when the site was disturbed, revealing numerous
potsherds in addition to a multiplicity of fragments of coloured glass.
In 1845 the site was identified as that of the Yorkshire Bottle Works,
a name which could easily embrace the manufacture of stoneware
containers as well as those of glass. By 1848, however, the site was
occupied by the Yorkshire Glass Bottle Company and is named as such on
the Ordnance Survey Map of 1852.(48)
The proprietor of the Yorkshire Glass Bottle Co. was a Mr Thatcher who
specialised in the manufacture of common or black bottles, of which the
recent upheaval of the site produced much evidence. About 1854, Thatcher
relinquished the leasehold and moved to the northeast of England, then
the seat of the black bottle trade, where he established a glassworks at
Blaydon.(49)
Some indication of the hours of arduous work endured by the
glassmakers at this period is obtained by reference to the retrospective
remarks of Alfred Greenwood, who, in 1847, as a boy of ten, was employed
at the Hunslet works of Roberts, Scott & Taylor. Writing in 1910,
Greenwood recalled that
"In 1847 and for some years afterwards, it required, in Yorkshire,
seven days a week to work five journeys. [i.e. to obtain the productive
output of five working days] The bottle hands commenced to make bottles
at 12 o’clock Sunday midnight, and sometimes had to leave off work at 12
o’clock Saturday midnight before getting the Number [the number of
bottles comprising the acceptable output of a twelve hour shift] in.
These were ‘glorious good old times’. Making bottles on Sunday was not
then allowed, or perhaps the bottle hands would have had to get the
Number in before leaving off at Saturday midnight."(50)
The ironic tone of Greenwood’s remarks indicates the debasement of the
status and the social esteem enjoyed by the artisan glassmakers in the
pre-industrial age, notwithstanding the combination of the artisans to
establish a union or trade society by the late 1820s. However, artisan
power was boosted early in the following decade when as the result of
the earlier revocation of the excise duty, the introduction of pale
metal within the Yorkshire trade and a general upsurge in trade, the
glass container industry enjoyed its first major boom.
The partial removal of the duty on glass manufacture in 1828 had
produced favourable economic conditions which had led to the
establishment of the glass container industry at Castleford about that
date (and ultimately to the founding of the Ferrybridge works) as well
as the artisan trade society. The introduction of the pale, almost
translucent, green metal was a significant factor, the origin of which
is, alas, lost to history. Nevertheless, the combination of economic
boom and the increasing public preference for pale metal containers
explain both the transition of Mr. Thatcher from tenant to factory owner
and his relocation to Blaydon where the neighbourhood was more congenial
to the manufacture of black metal.
Referring to the mid 1850s, Greenwood stated that during the period
1854-56
"…The Yorkshire Society took the Ferrybridge works, belonging to
Sir John Ramsden, which were then standing, [unused] which had been
given up by Mr. Thatcher…."(51)
The Glassmakers Society sought to obtain a satisfactory return by
investing its funds in such a venture in order to provide labour for its
out of work members, thereby reducing the demand for ‘Donation’
[unemployment] benefit. With the gradual decline of favourable trading
conditions due to the onset of a cyclical depression of trade, conflict
arose between the Society and the County’s manufacturers when the wares
produced at the Ferrybridge works were sold at a price which
deliberately undercut those of other manufacturers. In an effort to
force the Society into line the manufacturers, who it should be noted,
were the employers of the bulk of the Society’s members, announced an
all-round reduction of six shillings per week in artisan wages. The
measure was presented as one which was necessary to enable the employers
to compete with the market price established by the goods produced at
the Ferrybridge works but was in fact a calculated attempt on the part
of the manufacturers to provoke an industrial dispute resulting in
strike action by the artisans. The desired action would engender
financial pressure on the Society through the necessary provision of
benefit to out of work members. The stratagem adopted by the
manufacturers proved to be effective when after only eight weeks the
Society’s funds were almost exhausted and the lease on the Ferrybridge
works was surrendered.(52)
Subsequently, a lease on the works was obtained by Greenhow & Co.. The
leasehold must have been acquired before 1859 for in that year a further
strike took place at the Ferrybridge site at which time the proprietor
sought to engage glassmakers from the northeast district of the trade to
replace the Yorkshire-based artisans. The measure caused bitterness on
the part of the Yorkshire glasshands for shortly before the time of the
action the various regional glassworkers’ unions had belonged to an
Amalgamated Society formed in an attempt to present a nationally united
front to the manufacturers. The action of the North of England artisans
may have been prompted by the awareness that Mr. Thatcher had engaged
Yorkshire artisans in the establishment of his Blaydon on Tyne works.
Whatever the reason, the Yorkshire hands felt great resentment and still
expressed recriminative opinions on the subject more than thirty years
later.(53)
The extent to which the 1860 dispute had an adverse effect upon the
tenancy of Greenhow & Co. is conjectural but by 1864 the Ferrybridge
works were again standing unused. In that year Edgar Breffit, the
leading Yorkshire manufacturer, obtained the leasehold of the
Ferrybridge works in order to operate the site as a subsidiary branch of
his Castleford works.(54) The acquisition of the Ferrybridge site arose
in consequence of an upturn in trade which engendered the expansion of
the industry and marked the high point in the prosperity of the
container trade early in the following decade. Arising from this phase
of industrial expansion, Breffit persuaded William Bagley, then Central
Secretary of the Yorkshire Trade Society, to resign his post with the
Union and take up the position of manager of the Ferrybridge works.(55)
At the time of Bagley’s appointment the Ferrybridge works consisted of
a single reverberatory furnace containing four fire-clay pots or
crucibles, providing employment for eight chairs of bottlehands working
a two-shift system.(56) The limitations of the cone furnace may be
judged by comparison with the regenerative tank furnaces of urban works
by the fact that the former required a long, slow process of recharging
the pots and melting the batch to produce the metal between shifts,
whilst the latter allowed continuous production. Even the ‘day tanks’
which were forerunners of the regenerative furnaces, provided a better
economic proposition than the cone furnace crucibles, for although
requiring recharging after working out [emptying] the metal, they were
of greater capacity than the pots. From this it is obvious that the
economic potential of the Ferrybridge site was limited to those periods
of cyclical boom when market demand ensured its use in a supplemental
productive capacity. The situation appertaining within the container
trade from the late 1860s was a singular example of a rising market and
at some stage early in the following decade a decision was taken to
build a second furnace on the Ferrybridge site. The new furnace
consisted of a second brick-built cone of a type which, whilst
architecturally compatible with the existing cone furnace was, like its
forebear, once long superceded within the Yorkshire region of the
industry. The continued erection of cones within the North-East region
beyond the mid point of the nineteenth century was quite commonplace,
such edifices being built by small firms of limited capital resource.
The limited capital requirement, allied to speed of construction and
(perhaps) aesthetic considerations arising from the visibility of the
site from the Ramsden seat, may furnish the reasons for the decision to
build a second furnace of conical design at Ferrybridge.(57)
The new cone was slightly smaller than the existing one both in height
and circumference. The precise date of construction is not known but
statistical data from the Quarterly Reports of the Glass Bottle Makers
Society reveals that an additional bottle house was operational by
October, 1872.(58) It is most probable, however, that the increased
capacity indicated at that time was occasioned by the establishment of a
furnace at Knottingley where William Bagley and his associates had
commenced in business as bottle manufacturers, Bagley having resigned
from his managerial position at Ferrybridge the previous year in order
to commence as a manufacturer.(59) The Ferrybridge works are in fact
recorded in terms of their previous maximum capacity early in 1873,
which appears to support the supposition that the increase of October,
1872, was due to the start of production at Bagley, Wild & Co.(60) It
would therefore seem that the output of the new Ferrybridge furnace is
first recorded in the Branch Returns of June, 1873, although the figures
for November show an increase of one bottle house which may be an
indication that the productive capacity of the new furnace was a
staggering operation.(61) The incorporation of data concerning the
successful and gradually expanding Knottingley glassworks within the
trade returns of the Ferrybridge Branch of which it initially formed a
part for the purpose of Union administration, makes at almost impossible
to define which of the statistics concerning productive capacity refers
to Ferrybridge and which to Knottingley and therefore obscures the date
on which the second Ferrybridge furnace became operational.
The second great economic boom in the container trade lasted until
1875. In 1876 a downturn in trade occurred which heralded the beginning
of a prolonged period of economic depression. The decline in trade was
accompanied by a protracted, albeit somewhat restricted, industrial
dispute as some of the Yorkshire manufacturers (surruptitiously
supported by others) sought to erode the customary trade practices
observed by the artisan glassworkers which had been strengthened during
the recent period of flourishing trade, and the Union resisted the
attempted assault. The dispute, although intense in nature and carrying
implications for working practices and conditions throughout the entire
County trade, was confined for the most part to the factories at
Conisbrough and Thornhill Lees belonging to Kilner Bros. Simultaneously,
the gradual nature of trade decline was such that production continued
at the Ferrybridge outpost of Breffit & Co. for several more years.
However, by the early 1880s the effect of the recession led to the
closure of the Ferrybridge works as Breffit & Co. withdrew from the site
to concentrate their production from their Castleford plant. Again the
incorporation of statistical material concerning Knottingley glassworks
within the Ferrybridge Branch returns makes precise dating difficult but
it is evident that the closure of the Ferrybridge works occurred in
December, 1883 or January, 1884.(62)
Following the closure, the Ferrybridge works were unused until 1886,
at which date the first flint glass hands of the Castleford District of
the Flint Glass Makers Society sought to emulate the action of the
Bottle Makers Society some thirty years earlier by establishing a union
based workers co-operative. Faced with unparalleled levels of
unemployment consequent upon the trade recession, the members of the
Castleford District of the flint glass trade persuaded the Executive
Committee of their trade society to invest £500 of the Society funds to
fund the establishment of the co-operative works.(63) As a result,
negotiations were undertaken with the Steward of Sir John Ramsden for
the lease of the Ferrybridge works recently vacated by Breffit & Co..
The works were described as consisting of two bottle houses [i.e. cone
furnaces], each capable of working eight to twelve chairs of flint
hands, two pot arches [arches adjacent to the furnace where the
fire-clay crucibles were placed to dry out and gradually harden as
eventual replacement pots], packing rooms, stables, numerous
outbuildings and offices. It was also stated that a large dwelling house
together with nine cottages stood on the site.(64)
The large dwelling house to which the report referred was in fact
Bridge House, the former inn premises. Following the closure of the inn
and the establishment of the glassworks on the site the premises had
served as residence for the works manager. William Bagley had been
accommodated there when he became the manager of the Ferrybridge
Glassworks in 1869.(65) Long before the 1880s the premises had proved to
be too large for use by a single family of limited social and financial
distinction and had therefore been sub-divided to form four separate
tenements.(66)
The Flint Glassmakers Society was informed that subject to the
immediate acceptance of the leasehold terms, which stipulated the
payment of £172 as annual rent, Sir John Ramsden would undertake all
necessary repairs to the glassworks at his own expense. Alternatively,
the owner would deduct the cost of the repairs from the annual rent
should the Society prefer to carry out the renovation of the
property.(67)
The Society’s Executive Committee considered that by sub-letting
Bridge House and the on-site cottages it would obtain £70 per year,
thereby reducing the cost of the annual rent of the site to £102.(68)
Yet despite the enthusiasm of the local delegates and the national
leaders of the Flint Glass Makers Society the plan to obtain the
leasehold of the Ferrybridge site did not come to fruition. The reason
for the failure to implement the plan is unstated in the annals of the
Society. There is some indication that delay on the part of the
Society’s representatives, constrained by the unwieldy, time consuming
process of democratic consultation within the administrative structure
of the Society with its myriad of geographically scattered branches, was
the cause of the failure of the negotiations for the lease of the
Ferrybridge site. In this context one must bear in mind the hostility of
some branches and the doubt of others concerning the proposed
co-operative scheme. The largely Midland based element of the Society,
engaged in the production of domestic and luxury wares, disparaged their
northern brethren whom they regarded as inferior craftsmen, being solely
engaged in the simple, repetitive process of producing small
containers.(69) It is not improbable, therefore, that the known
hostility of the ‘traditionalists’ evoked delay in the implementation of
the scheme, yet despite this probability, in the absence of any
indication of a rival bidder for the Ferrybridge works, it does not seem
likely that delay occasioned the breakdown of the negotiations. On the
evidence produced by the knowledge of subsequent events it would appear
that the interest in obtaining the Ferrybridge site was abandoned by the
advent of a more appealing offer.
Following the death of Edgar Breffit in 1882, the company over which
he has so long presided underwent considerable reorganisation, rendered
more necessary by the deepening economic gloom within the trade which
was by that time beginning to experience the additional effect of
Continental competition. In addition to the withdrawal from the
Ferrybridge works the company had also discontinued production at the
Black Flagg (sic) site at Whitwood Mere.(70) It was the availability of
the latter site that diverted the attention of the Flint Glass Makers’
Society as one more favourable for their co-operative venture.
Consequently, the Society obtained a seven year lease on the Black Flagg
works which contained provision for the surrender of the lease after
three years in the event of business adversity.(71) The inclusion of the
‘escape’ clause may well have been an influential factor in the
Society’s preferment of the Black Flagg works for Sir John Ramsden was
by this date notoriously indifferent to the fate of the Ferrybridge
works. As a rich landowner Ramsden could afford to be indifferent to the
operation of the Ferrybridge works and may therefore have proved to be
less accommodating to the Society than the more commercially minded
owner of the Black Flagg site. Again, a more centralised urban site may
have appeared economically more advantageous compared to the more
peripheral, semi-rural location of the Ferrybridge works. Whatever the
reason, the rejection of the Ferrybridge site by the representatives of
the Flint Glass Makers’ Society marked the end of an era in the history
of the Ferrybridge Glass works.(72) The site, disused since 1883,
remained so ever thereafter, slowly falling into a state of neglect and
disrepair. Over the ensuing years the myth developed that the reason for
Ramsden’s reluctance to let-out the Ferrybridge site was the smoke
nuisance which, carried from the furnaces by the prevailing wind towards
Byram Hall, was alleged to be ruining the trees on the Byram estate,
prompting Ramsden to order the closure of the works.(73) However, the
fact that Ramsden was willing to permit negotiations at all suggests
that such considerations were of secondary importance to him and,
indeed, the operation of the Ferrybridge works at periods throughout the
preceding half century suggest that even if the possibility of any smoke
nuisance was not anticipated with the founding of the works it was
nonetheless tolerated. Likewise, although indifferent, Ramsdens'
willingness to countenance the future operation of the glassworks may be
evident from the fact that they were left pending possible further use,
for almost a further half century. A somewhat dismissive comment by
Alfred Greenwood, some years later that;
"The works at Ferrybridge are still standing [i.e. unused] and are
not likely to be worked again. The owner can well afford to let them
stand or demolish them"
provides ample indication of Ramsdens indifference.(74)
With the passage of the years however, possible reuse of the
Ferrybridge site became increasingly remote. A degree of recovery from
the trade depression by the late 1880s was constrained by the increase
in both domestic and foreign competition. Furthermore, the pale metal
which had previously been the sole preserve of the Yorkshire container
industry had by then been ‘usurped’ by other districts of the trade,
particularly the biggest rival, Lancashire, in an effort to ensure
economic survival at the expense of the Yorkshire area.(75) The
prevailing economic conditions and the accompanying technological
development in container production meant that by the closing decade of
the nineteenth century most operational glassworks carried spare
manufacturing capacity. Not only did the ongoing conditions prevent the
absorption of surplus artisan workers but they also restricted
entreprennurial opportunities such as those which had characterised the
industry during the boom periods of the 1850s and 1870s. In addition,
the adoption of new technological production processes such as the gas
fired regenerative furnaces, annealing lehrs and crude, but ultimately
successful, bottlemaking machines, was a feature of the final quarter of
the century. A cone furnace, such as the one at Ferrybridge, was totally
unsuited to the adoption of modern apparatus compared to works of urban
design. Thus the initial disadvantage of the Ferrybridge works was
widened. The impracticality of any possible use of the Ferrybridge works
was also reinforced by the capital requirement necessary for the
modernisation of the existing plant. So huge was capital demand to
enable modernisation of even the most favourably suited of urban
glassworks that the process could only be met by corporate effort in the
form of public limited companies. The era of individual patronage and
private propriertorship had been rendered as obsolete as the design of
the Ferrybridge furnaces. Even though as recently as the mid 1880s
Ramsden could afford to invest capital in the hope of revitalising the
Ferrybridge works, such a possibility was even then imprudent and was
made otiose by subsequent developments. Additionally, factors
contributing to a gradual decline in the socio-economic status of the
landed gentry from the turn of the new century had particular
significance for the Ramsdens for whom the impending financial crisis of
the aristocracy was an immediate consideration, preventing all
possibility of capital investment in the Ferrybridge works. In
consequence of such developments the Ferrybridge Glassworks became
increasingly more obsolete and ruinous. By the turn of the twentieth
century it was recorded that;
"The ruins of the once flourishing Ferrybridge Glassworks stand.
Spacious buildings, two large cones and a beautiful house, once
inhabited by the manager, now by tenement dwellers, testify to the
former prosperity of the trade. About twenty-five years ago the works
were disestablished and the whole scene is one of incredible
desolation." (76)
Despite disuse, the works continued to feature in the quarterly trade
returns of the Glass Bottle Makers Society until the middle of 1909.(77)
Indeed, it was not until about 1903 that the Society redesignated the
‘Ferrybridge Branch’ as ‘Knottingley Branch’.(77) About 1914, a chimney
on the site was demolished, having become unstable following years of
neglect.(78) The remaining portion of the glassworks, with the exception
of Bridge House, was demolished about 1920.(79) At the time the works
were demolished the Ramsden family were experiencing severe financial
difficulty as a result of which it became necessary to sell much of
their holdings, including the Byram Park estate.(80) Doubtless the
demolition of the glassworks was undertaken with a view to making the
site more appealing to a potential buyer whilst simultaneously raising a
small amount of capital from the sale of salvaged material. Bridge House
was, however, spared at that time due to its potential sale value as
rented accommodation. Thus, when the outlying portions of the Byram
Estate were sold in 1922, the property, identified as ‘lot 69, Bridge
House, formerly the Swan Inn’, was featured.(81) Following the sale, the
premises continued to be used as individual tenements until about 1936
when the property was demolished.
In recent decades the construction of the M62 flyover and the
installation of a subterranean pipeline which cut directly across the
glassworks site has resulted in considerable disturbance of the land on
which Bridge House and the adjacent buildings stood. Careful scrutiny of
the untouched portion of the site, however, reveals foundation marks,
constituting a vague memorial to the almost equally vague history of the
Ferrybridge Glassworks.
Terry Spencer
Credits to be included later.